Article Archive 

Close Encounters on Screen: Gender and the Loss of the Field

Feb. 1, 1999

[1] "The camera has uncovered that cell-life of the vital issues in which all great events are ultimately conceived; for the greatest landslide is only the aggregate of the movements of single particles. A multitude of close-ups can show us the very instant in which the general is transformed into...

Signing Woolf: The Textual Body of the Name

Jan. 20, 1999

[1] Virginia Woolf's writing has been said to instance the connection between the body and the letter, and to exemplify, if not Cixous's écriture féminine, then a language that reflects female experience. Readings by Shari Benstock, Daniel Ferrer, Leigh Gilmore, Jane Marcus and others have focused on Woolf's rhythmic, poetic...

Of Beauty Pageants and Barbie: Theorizing Consumption in Asian American Transnational Feminism

Jan. 10, 1999

Bobby takes the little cuz to a T.J. beauty shop. Get rid of the pigtails. Get rid of the Chinagirl look. Get a cut looking like Rafaela. That's it. Now get her a T-shirt and some jeans and some tennis shoes. Jeans say Levi's. Shoes say Nike. T-shirt says Malibu...

Freedom of Expression: An Essay on Rights, Relation and Recognition

Dec. 1, 1998

(Note: This essay is a shorter version …)* [1] In January 1995, a University of Michigan sophomore known as Jake Baker posted a short story to an Internet site devoted to explicit fiction.[1] In January 1995, a University of Michigan sophomore known as Jake Baker posted a short story to...

Tropical Rearwindow: Gauguin’s Manao Tupapau and Primitivist Ambivalence

Nov. 1, 1998

I'm not much on rearwindow ethics" –Grace Kelly, responding to Jimmy Stewart's belated ethical/optical crisis, in Hitchcock's Rear Window Sadistic Gaze [1] Two recent and influential feminist discussions of Paul Gauguin's Pacific oeuvre have no time for ambivalence when it comes to analysing Gauguin's imbrication in the aesthetic practices and...

Watch Yourself: Performance, Sexual Difference, and National Identity in the Irish Plays of Frank McGuinness

Oct. 1, 1998

[1] Recently, on an electronic discussion list operated by the American Conference for Irish Studies, one of the members posted a request for information on "the alleged homosexuality of Michael Collins," one of the primary leaders of the Irish struggle for independence in the early twentieth century and a major...

Las Comadres: A Feminist Collective Negotiates a New Paradigm for Women at the U.S./Mexico Border

Sept. 1, 1998

[1] In the Spring of 1988 a group of women in the contiguous border cities of San Diego and Tijuana established a collective to which they later gave the name Las Comadres. 1 For three years they met at venues on both sides of the border, exploring its complexity from...

Inspectin’ and Collecting: The Scene of Carl Van Vechten

Aug. 1, 1998

[1] Avant-garde chronicler, arbiter, and participant Carl Van Vechten produced myriad texts during a career deeply imbricated in those issues of race, gender, class, and sexuality that continue to complicate critical understanding of the early twentieth-century avant-garde. Replete with nested voyeurisms and repetitions from novel to scrapbook to photograph, Van...

Feminine Intensities: Soap Opera Viewing as a Technology of Gender

July 25, 1998

[1] I really like to watch soap operas. As a self-respecting feminist academic, I realize I am supposed to be ashamed to say so, but for reasons I hope this essay will make clear, I am saying so at once. I am not using "soap opera," as do many scholars,...

“O, Soften him! or harden me!”: Childbirth, Torture, and Technology in Richardson’s Pamela

July 15, 1998

"But don't you wonder to find me scribble so much about family and birth?" –Pamela Andrews, in a letter to her parents Scribbling about childbirth [1] In The London Hanged, a painstaking catalogue of eighteenth-century juridical practice, Peter Linebaugh briefly laments the absence of equivalent work on childbearing of the...

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