News from the AMRC

The American Music Research Center and the Department of Musicology will host Rutgers University musicology professor, Eduardo Herrera, on Monday, Oct 26 at 1 pm (MST) for his presentation, “Americanism as Musical Strategy: From Pan Americanism to Latin Americanism.”

Houston-based musicologist Matthew J. Jones and CU Director of Vocal Pedagogy John Seesholtz will present, “Music and HIV/AIDS – A Look at Then and Now,” online on Monday, October 12 at 5:30 pm MST.

Recent College of Music Clarinet Performance and Music Education graduate, Anoushka Divekar, debuted Take Two Knees, a virtual concert she and collaborators created from works by Black Female composers.

Otis Taylor plays, "Ten Million Slaves" in the Columbia Cemetery near his home in Boulder, Colorado for the Songs for Change project.

At Berklee Global Jazz Institute, Greek musicians are leading a rediscovery of intercultural dialogue through music. At the forefront of these efforts is Cretan singer Eirini Tornesaki (also known by her artist name, Erini).

Composer and pianist Alex Craig of Broomfield, Colorado died of a sudden heart attack on the evening of Saturday, April 18th. Alex was a part of the musical scene in Boulder from the mid-1960s when he began accompanying music students as an undergraduate at CU-Boulder.

Professor of Piano Pedagogy Alejandro Cremaschi and his students are uncovering a neglected group of composers rarely visible in the world of classical piano music with their project, "Hidden Voices."

In celebration of the College of Music's centennial year, Thomas Riis, Joseph Negler emeritus professor of music who directed of the AMRC from 1992-2018, has written, Music at the University of Colorado: A Brief History.

It is with sadness and a deep sense of personal loss that I share the news of the death of William K. Kearns last Thursday, March 12, at his retirement community in Pinole, California, where he had lived since 2015.

Professor Jacqueline Avila--a musicologist who works with film music and the intersections of cultural identity, tradition, and modernity in the Hollywood and Mexican film industries--will present, "Sombra's Soundscape: Music, Silence, and Nostalgia in Alonso Ruizpalacios's Güeros (2014)."